Artists of the Year 2026 FAQs

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Is the selected artist able to take on any additional work or projects outside of the Artists of the Year program?

The programme requires a significant commitment and participants are expected to dedicate as much time as reasonably possible. The programme is designed to support artists in developing sustainable careers and offers unique opportunities and support to help artists progress towards full-time creative practice, so applicants should be able to demonstrate a genuine commitment to making the most of the opportunity. For more information, please see the webinar link on the Tees Valley Artists of the Year page FAQs from 38:08mins.

Would successful applicants be expected to leave any part-time employment they rely on for income in order to participate in this opportunity?

The programme requires a significant commitment and participants are expected to dedicate as much time as reasonably possible. The programme is designed to support artists in developing sustainable careers and offers unique opportunities and support to help artists progress towards full-time creative practice, so applicants should be able to demonstrate a genuine commitment to making the most of the opportunity. For more information, please see the webinar link on the Tees Valley Artists of the Year page FAQs from 38:08mins.

If I have been unsuccessful in previous years, is it still worth me applying this year?

Yes, applicants are encouraged to apply again in future years if they are unsuccessful. Applications, artistic practices, and ambitions often develop over time, and previous Artists of the Year have been successful after applying more than once. As artists continue to grow and strengthen their work, they may submit a more compelling application, and the programme welcomes applications from artists across the region who are committed to developing their practice. For more information, please see the webinar link on the Tees Valley Artists of the Year page FAQs from 38:08mins.

My practice spans multiple categories. How should I choose the category that is most suitable for my application?

Applicants are not required to select a single artistic category. Instead, they can describe their practice in their own terms within the application. Applications will be grouped by the Creative Place team to ensure they are reviewed by appropriate panel members, while recognising that many artists work across multiple disciplines. This approach has been introduced to better reflect the interdisciplinary nature of contemporary artistic practice and to avoid limiting applicants to a single category. For more information, please see the webinar link on the Tees Valley Artists of the Year page FAQs from 38:08mins.

Are there any quotas, targets, or specific measures in place to ensure representation of disabled and other underrepresented artists within the Artist of the Year selection process?

There are no formal quotas for disabled or other underrepresented artists within the selection process. However, the programme aims to ensure that the cohort reflects the diversity of the Tees Valley’s artistic community and population. A range of accessibility measures and support are in place to help remove barriers for applicants with access needs to enable them to submit their application. We aim to make the process as inclusive and accessible as possible. Please get in touch via creativeplace@teesvalley-ca.gov.uk if you have specific access requirements you wish to discuss. For more information, please see the webinar link on the Tees Valley Artists of the Year page FAQs from 38:08mins.

If I already have freelance work commitments that overlap with the residency dates in October, is it necessary to attend all residency sessions, or is there any flexibility to accommodate existing professional commitments?

Attendance at the residency is strongly preferred. However, if an applicant is successful and has existing professional commitments that conflict with the residency dates, the programme team will discuss the situation and explore possible solutions where feasible. Applicants are encouraged to apply even if they have potential scheduling conflicts. For more information, please see the webinar link on the Tees Valley Artists of the Year page FAQs from 38:08mins.

As a performance-based artist who both creates my own work and collaborates on projects led by others, am I expected to focus exclusively on my own practice during the programme, or can I continue working on external projects?

Participants are not required to focus exclusively on their own work during the programme and may continue to collaborate on or contribute to other projects. Such opportunities are encouraged where they support professional development, build networks, or align with the participant’s artistic goals. However, the primary focus of the year should remain on progressing the Artists' own practice and achieving the objectives set out in their development plan.
For more information, please see the webinar link on the Tees Valley Artists of the Year page FAQs from 38:08mins.

Where a successful applicant has access needs around, for example, finances and filling in forms, Will there be support available for the quarterly check-ins and paperwork, not necessarily financial support, but practical support?

Yes, practical support is available for applicants with access needs related to administration, paperwork, or reporting requirements. Participants receive ongoing support from the Creative Place programme team, including regular check-ins with designated staff members who can provide assistance with monitoring forms and other programme-related tasks as needed. Additional access budget can be used where additional support needs to be bought in.

Should the writing sample and synopsis be from the proposed project for the year, or can they be from another project that showcases the applicant's work?

The example of writing can be from a completed or exisiting project, or can be something you're working on now. This is an opportunity to showcase your work to the panel, so whatever you feel best represents you and your work can be included.

Will a link to the webinar recording be provided?

Yes, the Artists of the Year webinar is now available to view on the link below.

Watch here

I have a team of people around me that support me to make my work (e.g., manager, production) should I apply as a collective?

If you are the main driver/creator of the work then you should apply as an individual and within your answers in A), C) and D) make reference to how your team supports you. You are able to use the development budget to support paying people to work with you.

I'm just finishing my application for Artist of the year but cannot find the form that it wants you to do for equal opportunities. I may be missing it, but could you let me know how to find it so I can attach it or fill it in please?

A link to the Equal Opportunities form can be found on the final page of the application form. You can also access it directly here.

I am applying as an individual, but I plan to involve additional collaborators to support delivery of the proposed creative activity. The application form does not seem to provide enough space to explain their expertise, networks and contribution. Where can I include this information - for example, within the main application text, as an appendix, or as another form of supporting material?

To ensure fairness, we are unable to accept appendices or additional application text in the submission section, as this space is to show examples of your work and evidence of professional recognition. As you are applying as an individual, while the appraisal panels will be interested in who you work with, the application should focus on you and your ambitions and plans, it does not necessarily need to have detailed information about collaborators.

What should be included in the submission section? Do I need to include a CV / list of the work I have done to date? Can I include a document with more than one photo in?

The submission section is where you can upload examples of your work, and evidence of professional recognition. This could include photos of your work, documents, marketing materials, reviews, press articles etc. You can upload up to 7 files.
2 of the 7 files can be:
A single photo/picture or,
a document of up to 5 A4 pages (which can include pictures) or,
a video 5 minutes long.
The remaining 5 files can be:
A single photo/picture or,
a document of 1 A4 page (which can include pictures) or,
a video 1 minute long.
Writers can upload one of the following as part of your seven files:
Fiction / Non-fiction: 3000–6000 words and a synopsis of up to 600 words
Poetry: 15 poems or equivalent for longer sequences and a description of
your project of up to 600 words
Script: 10 pages of sample script and a synopsis of up to 600 words
It is not a requirement to include a CV or list of all your past work. The submission section is your opportunity to showcase the work that best reflects your practice.

Please could you send me the application questions

The application questions are available to view on the offline application form which is available on the website here.

If I am uploading my response to the application via video, and uploading this to the submission section, can I still upload photos / documents to show my work?

Yes, you can upload the video response and still upload 7 files to the submission section. You do not need to embed images of your work into your video. The video should just be of you speaking, answering the questions in the application form.

I was a participant on the ASPire programme last year, do I need to talk about my progress in the application for Artists of the year?

It is up to you if you would like to talk about your engagement in the ASPire programme, you could mention that you were shortlisted in a previous year, if you think that it is relevant and supports your application and ambitions going forward. Previous ASPire activity is not a criteria that is considered in the appraisal process (i.e. it does not automatically give you an advantage or disadvantage if you have been shortlisted previously.)

I'm applying for the Tees Valley Artist of the Year as one half of an equal creative partnership. Could you let me know whether, if successful, the grant can be paid to the lead applicant, with the bursary then managed through the agreed project budget and artist fees allocated to both members in line with our respective creative contributions? Alternatively, would the creative partnership need to have a separate business or joint bank account to receive the grant?

A creative partnership can apply, with multiple artists named. If successful, the bursary is paid to a single recipient who enters into the grant funding agreement with the Combined Authority and accounts for how the funding is used. In practice that means the partnership having a vehicle that can hold the funds and be party to the agreement, for example a company or partnership with a dedicated bank account for the business. If a partnership isn’t set up that way yet, there’ll be time to put that in place before the programme starts. How the funding is then allocated across the partnership is a matter for you to agree and we’d suggest you take your own tax advice on that basis.

I will be submitting an application for TVAY. I am concerned that my referee hasn’t yet returned their reference letter to me. Will my application be discounted if the reference is delayed?

As the reference is part of the appraisal process, your application would be marked down for that section if no reference was included, but the application would not be completeley discounted. You would still receive a score for all other sections. To ensure fairness, we are unable to accept any late submissions of information.

Last updated 30th July 2026.

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